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Avid is the world's leading provider of audio and video technology for media organizations and independent professionals. Our customers use Avid solutions to create, distribute, and monetize the most prestigious and award-winning films, videos, music recordings, TV shows, live concerts, and news broadcasts.
For over 25 years, Avid solutions have helped the industry’s leading professionals create and distribute the most listened to, most watched, and most loved media in the world.
Ever since Avid led the revolution in non-linear editing over 25 years ago, the company has continued to invest heavily in research and development, and currently holds over 200 patents. By envisioning and delivering groundbreaking and innovative solutions that fundamentally improve the way media professionals work, Avid has become the leading technology provider and trusted strategic partner for video and audio production, broadcast, live sound, shared storage, and more.
Avid solutions have been recognized with numerous industry and technology awards, including two Oscars®, a Grammy®, and 14 Emmys®. |
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Media Composer is proven and trusted by professional editors in every segment of movie making, television, broadcast, and streaming media. Designed to handle high volumes of disparate file-based media, Media Composer delivers accelerated high-res-to-HD workflows, real-time collaboration, and powerful media management, eliminating time-consuming tasks so you can focus on telling a great story. And now the choice is yours—edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright—making Media Composer the most versatile and accessible tool for professional creative editorial.
New features
The choice is yours
Media
Composer now gives you more choices in how you acquire and
use the software. Edit on premises or remotely through the
cloud. Work on a Mac or PC. Access the software through a
subscription, on demand with a floating license, or own the
software outright forever with a perpetual license. In
addition, you can configure it your way with the options you
need to get the job done, from real-time remote
collaboration through
Media Composer | Cloud (formerly Interplay Sphere), to
advanced color correction and mastering tools, iNEWS and
ENPS integration, and software for creating effects, titles,
and more. It’s the only professional editing solution that’s
available everywhere you need it, the way you want it.
Use the tools the pros use
When reputations are on the
line, professional editors have long turned to Media
Composer to help them expertly manage mountains of media,
simplify workflows, and accelerate the editorial process to
tell the best story possible. And now the software is an
easy fit for any budget through a monthly or annual
subscription (or you can still buy the software), enabling
you to add the media industry standard to your workflow on a
low-cost, as-needed basis.
- Get access to new
software features, enhancements, improvements, and
fixes as soon as they’re available with a Media
Composer subscription or renewable Avid Support plan
- Add additional Media
Composer clients as needed on a low-cost
month-to-month basis—especially helpful when a
production demands extra editors at a moment’s
notice
- Expand and enhance
your Media Composer editing capabilities with a
number of options, including the Media Composer |
Symphony Option, Media Composer | NewsCutter Option,
and Media Composer | Production Pack
Deploy licenses on demand
For large-scale media
enterprise, post-production houses, and educational
institutions, Media Composer now offers floating licensing,
enabling you to purchase a “pack” of shared licenses to
deploy across your entire facility using a single system ID.
This enables multiple editors to use Media Composer on any
number of workstations when licenses are available (not
actively in use).
- Maximize your
investment, as licenses are only consumed when in
use and returned to the server when not, enabling
additional editors to connect when licenses become
available
- Offer the ability to
“check out” licenses on a laptop—ideal for projects
that need to be completed on the road or at home for
an extended period of time
- Save countless hours
of activation, installation, and upgrade time using
Avid's floating license server software and your
existing hardware to establish a single centralized
licensing server—just activate a pack of licenses,
tell Media Composer the server address, and the
system will automatically request licenses from the
server on the internal network
- Save money and gain
more operational flexibility over purchasing
individual seats of Media Composer that often go
unused when the designated editor or student isn’t
working
- Gain peace of mind,
as all licenses are relinquished to the server when
Media Composer closes or times out (if checked out
past the expiration date), protecting you from theft

Toggle clips and tracks on
and off in the timeline
With new clip
and track playback features, exploring compositional
alternatives is easier than ever. Quickly compare variations
of a sequence by right-clicking on any individual video or
audio clip to mute or unmute it from playback. Or try out
different variations by creating alternative versions of
title sequences, visual effects, and other treatments in
multiple tracks and then choosing video tracks to make
active or inactive upon playback. If you're coming to Media
Composer from other editing software, you'll feel right at
home with these features.
Speed up editing with new
timeline enhancements
- Quickly add and remove
trim rollers by Shift-clicking anywhere in an
adjoining segment
- Easily see which tracks
have reached their beginning or end points when trimming
with new “end of trim” indicators
- Choose whether to select
or not select filler with segment tools by
Option-clicking the tool buttons any time you want to
choose the opposite of your default setting
- Copy any segment by
dragging and dropping it to a desired location while
holding down the Shift and Option keys
- Create and save titles
directly to a track in the timeline, as well as a bin
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System requirements
For optimal
performance and reliability, be sure that your computer or
laptop meets the following minimum system requirements for the
latest version of Media Composer.
Important:
Avid dedicates a significant amount of engineering resources and
time to test and qualify specific platform configurations. Our
Customer Success and Engineering teams are equipped with these
systems in our development and support labs. For an optimal
experience with Media Composer, we strongly recommend choosing
an Avid-qualified system. We cannot guarantee performance,
compatibility, or the resolution of issues with other systems.
Windows
- Computer:
Avid-qualified Windows-based computer
- OS:Windows 7
Professional SP1 (64-bit), Windows 8 Professional or
Enterprise (64-bit)
- Processor: Intel Quad
Core i7 or Quad Core Xeon processor
- Memory:
- 4 GB RAM minimum (6+ GB
recommended)
- 8 GB RAM minimum
required to support Media Composer | Cloud (formerly
Interplay Sphere)1, background transcoding,
background rendering, and Dynamic Media Folders
- 16+ GB RAM recommended
to support full-frame stereoscopic 3D, simultaneous
background transcoding, Dynamic Media Folders, FrameFlex
4K workflows, Raw format AMA plug-ins, Long GOP media
editing, and other high-performance workflows
- Graphics card: NVIDIA
Quadro family2 (Q600 or higher recommended),
Intel HD4000, HD4400, or HD4600
- Internal hard drive:
Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
Mac OS X
- Computer:
Avid-qualified Mac-based computer
- OS: Mac OS X,
Mountain Lion, or Mavericks (64-bit)
- Processor: Intel Quad
Core i7 or Quad Core Xeon processor
- Memory:
- 4 GB RAM minimum (6+ GB
recommended)
- 8 GB RAM minimum
required to support Media Composer | Cloud (formerly
Interplay Sphere)1, background transcoding,
background rendering, and Dynamic Media Folders
- 16+ GB RAM recommended
to support full-frame stereoscopic 3D, simultaneous
background transcoding, Dynamic Media Folders, FrameFlex
4K workflows, Raw format AMA plug-ins, Long GOP media
editing, and other high-performance workflows
- Graphics card:NVIDIA
GeForce family2 (recommended), Intel HD4000 or
HD5000, or ATI Radeon family (as supported by Apple)
- Internal hard drive:
Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
Additional compatibility
information
- QuickTime: Avid has
tested and qualified Apple QuickTime X for Mac users and
QuickTime 7.7.5 for Windows users
- Windows Media Player:
Microsoft Windows Media Player 12 is required to export
certain formats
- Media Composer | Cloud
is not supported on systems using background transcode,
background render, or Dynamic Media Folders. Avid
recommends 12+ GB of RAM for Media Composer | Cloud
workflows involving HD long GOP media, such as AVCHD,
MPEG-2, and XDCAM. For more information, please consult
the Media Composer | Cloud product page
- NVIDIA cards are
recommended; full-screen playback requires a minimum of
128 MB of graphics memory. For information regarding the
graphics card supported with your specific
configuration, please refer to
the Avid-qualified Windows-based computer list or
Avid-qualified Mac-based computer list.
What's included
Media Composer
(monthly/annual subscription) |
- Media Composer—Edit
SD, HD, and stereoscopic 3D material
- Media Composer |
Symphony Option—Add advanced color, effects, and
mastering tools
- Boris Continuum
Complete Lite—Create 2D and 3D graphics, effects,
and more
- NewBlue Titler Pro
v2—Create 2D and 3D video titles
- Sorenson Squeeze
Lite—Optimize and deliver content
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- EDL Manager—Export
timecode metadata
-
FilmScribe—Export film metadata
- iZotope Insight
30-day trial—View and troubleshoot audio mixes
- Standard Avid
Support (includes software updates/upgrades)
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Media Composer
(perpetual
license) |
- Media Composer—Edit
SD, HD, and stereoscopic 3D material
- NewBlue Titler Pro
v1—Create 2D and 3D video titles
- EDL Manager—Export
timecode metadata
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-
FilmScribe—Export film metadata
- iZotope Insight
30-day trial—View and troubleshoot audio mixes
- One year of standard
Avid Support (includes complimentary software
updates/upgrades; renewable annually)
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Media Composer |
Production Pack
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- iZotope Insight—View
and troubleshoot audio mixes
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- NewBlue Titler Pro
v2—Create 2D and 3D titles
- Sorenson
Squeeze—Optimize and deliver content
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Media Composer | Nitris
DX
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- Nitris
DX*—High-performance analog and digital I/O video
interface
- One or two
(optional) DNxHD and/or AVC-Intra chips (two chips
maximum)
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- PCIe Host Interface
Board—Connects Nitris DX to your computer
- One year hardware
warranty
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Media Composer | Mojo DX
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- Mojo
DX—High-performance digital I/O video interface
- PCIe Host Interface
Board—Connects Mojo DX to your computer (for laptop
connection, an optional PCIe laptop adapter is
required)
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- One year hardware
warranty
- DX Thunderbolt
Adapter (optional)—Connect Mojo DX to Avid-qualified
Thunderbolt-equipped computers
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*Additional DNxHD and
AVC-Intra chips for Nitris DX are available for separate
purchase.
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